2024 № 3 (50)

Preface
Dmitry V. Trubochkin
Preface to the Issue. A Mask in Arts
Art & Culture Theory
Loukitcheva Krassimira L.
Image and Mask in the Painting by Francisco Goya: The Ontological and Axiological Aspects (In Russian)
Loukitcheva Krassimira L.
Image and Mask in the Painting by Francisco Goya: The Ontological and Axiological Aspects (In English)
Shamilli Giula B.
Sounding Memory in the Tradition of the Caucasian Jews. Part I. The Contexts of Argumentation
Grigorieva Marina A.
Neocolonial Politics of Caring Machines “For” and “Against” Humans
Individual Art Worlds
Silyunas Vidmantas Yu.
Tirso de Molina: Mannerism on the Threshold of the Baroque
Starikova Anna R.
Pickelhäring: A Mask and an Image (Transformation on Various National Scenes of the 17th Century)
Artamonova Maria M.
Elements of Rituals and Theatrical Games as Foundation of Artistic and Pedagogical Experiments of Efim V. Chestnyakov
Krivitskaya Evgeniya D.
Music in Natalya Nesterova’s Painting
Art of the Soviet Era
Ainutdinov Anton S.
The History of the Ural-Kuzbass Art Exhibition (1935)
Salnikova Ekaterina V.
The Discussion of the Work of Sovetsky Ekran (The Soviet Screen) Magazine in 1958. The Sentiment of Cinema Professionals
Fine Arts
Aronova Alla A.
Architecture of Anna’s Period: The Birth of the Image of the Empire
Morozova Sofya S.
Antique Mascarons in the System of Meanings of the Russian Architecture of the 19th — Early 20th Centuries
Antipin Konstantin S.
The 1934–1935 Competition for the Preliminary Design for the Academy of Sciences: The Circumstances of Commissioning the Design to A.V. Shchusev
Vyrva Arina Yu.
Experiments with Form: Deconstruction and Neoconstructivism in the Moscow Architecture of the 1990s–2000s
Markov Alexander V., Shtayn Oksana A.
The Imagery of M.V. Dobuzhinsky’s Illustrations to Yu.K. Olesha’s The Three Fat Men
Samokhin Aleksandr V
Genre Painting and Portraiture: On the Boundary Between Genres
Kukhta Maria S., Pelevina Natalia E.
Metaphor of Light in the Sacred Images in the Ornaments of the East and the Ancient Russian Art
Musical Culture
Kniazeva Jeanna V.
Jacques Handschin on Musicology. Science and Education
Vershinina Anastasia V.
To the Issue of N.N. Sidelnikov’s Instrumental Heritage Systematization
Kosmovskaya Marina L.
The Main Stages and Some Trends in the Formation of Musical Education in the Kursk Mariinsky Women’s Gymnasium
Dukov Evgeny V.
The Role of the Cello in the 20th-Century Rock Music
Cinema and Mass Media
Maloletkin Maksim F.
Problems of Information Noise in the Context of Modern Cinema
Reviews
Levitan Olga
Time Commented by the Theatre
Kononenko Evgenii I.
Korean Minimum. On Elena Khokhlova’s Book The Main Things in the History of Korean Art
About the Authors
About the Authors. Abstracts