2025 № 2 (53)

Art & Culture Theory
Khaichenko Elena G.
Theatre in Time and Time in Theatre. Tom Stoppard and Others
Tchernaya Lyudmila A.
The Allegorical Theatre of the First Decade of the 18th Century
Izvolov Nikolai A.
Russian Literature on Cinema (A Short Essay)
Sazikov Aleksey V.
Counterculture and Social Revolution in the Context of Project Activity. Appropriate Technology and the Whole Earth Catalog
Semenovа Elena A.
The Phenomenon of Modern Fire Theatre in the Context of Spectacular and Play Culture
Individual Art Worlds
Voskresenskaya Victoria V.
The Artist’s Film Portrait in the Film Martiros Saryan (1965) by L. Vagharshyan: Facets of the Image (In Russian)
Voskresenskaya Victoria V.
The Artist’s Film Portrait in the Film Martiros Saryan (1965) by L. Vagharshyan: Facets of the Image (In English)
Evdokimova Olga A.
Dramaturgy of Book and Screen Space by Boris Dekhterev and Grigory Kozintsev in William Shakespeare’s Tragedy Hamlet
Art of the Soviet Era
Salnikova Ekaterina V.
Screen Impressionism and Industrial Production Drama in the Film Your Contemporary by Yuli Raisman
Fine Arts & Architecture
Sharapov Ivan A.
Ornament in the Architecture of the 20th Century: Classics and Discourse
Agratina Elena E.
On the Formation of the Secondary Art Market in the 18th-Century Paris
Odinokova Polina S.
The Practice of ‘Substitute Brush’ in Chinese Art Culture
Musical Culture
Zhurkova Daria A.
Religious Symbolism, Rock Dramaturgy and the Buzz of the Era in the Soundtrack of the Film The Lovers’ Romance
Cinema and Mass Media
Bavykina Maria S.
A Moment Stretched and Stopped: The Long Take vs Photographs
Maloletkin Maksim F.
‘Brave Ephemeral World’. Reflections on Non-Linearity in Screen Arts
Kozhokaru Tatiana I.
Film Analysis: Raymond Bellour’s Methodology
Popova Alexandra
The Imagery of Apuleius’ Donkey (The Golden Ass) and the Culture of the Anthropocene: Animal Poetics in Cinematography of the 20th and 21st Centuries
About the Authors
About the Authors. Abstracts