2024 № 1 (48)

Art & Culture Theory
Ustyugova Elena N.
The Idea of the “Creative Form” in the Aesthetics of the Russian Avant-garde of the 1920s
Tulchinskii Grigorii L.
Self-determination “Without a Mask” in Performing Arts and in Their Perception in the 1960s-1980s
Salnikova Ekaterina V.
Laughter and the Comic in the Soviet Film Comedy of the 1960s-1970s
Individual Art Worlds
Sarieva Elena A.
Vasily Gushchinsky — the Last ‘Tramp’ on Stage
Dviniatina Jamila R.
Pictorial Pretexts in A. Tarkovsky’s Works
Art of the Soviet Era
Gudkova Violetta V.
The Knight of the Rueful Countenance. M.A. Bulgakov’s Play Don Quixote. Characters, Actors, and the Contemporaries’ Reviews on the Performances
Gordeev Petr N.
A.V. Lunacharsky and E.K. Malinovskaya: The History of the Relationship Between the Chiefs of Soviet Art
Mashukova Аlexandra V.
The Audience of The City at Dawn Performance
Salnikova Ekaterina V.
The Discussion of the Work of Sovetsky Ekran (The Soviet Screen) Magazine in 1958. Cinema and Criticism Between Ideology and Commerce
Slesar Evgeniy A.
The Russian Birch Festival: Performing the Concept of Trinitarianism in the Soviet Union
Fine Arts & Architecture
Lazareva Ekaterina A.
Moscow Conceptualism in a Monologue with the Avant-garde
Sharapov Ivan A.
1965. Rem Koolhaas in the Soviet Union
Ilyasova Razilya I.
Artistic Design in Soviet Tatarstan on the Example of “Group No. 17”
Yurgeneva Alexandra L.
Comic Images in Lithuanian Photography and Graphics of the 1970s-1980s
Musical Culture
Rikker Natalia G.
Jazz in Soviet Cinema. The Experience of Retrospective Analysis (In Russian)
Rikker Natalia G.
Jazz in Soviet Cinema. The Experience of Retrospective Analysis (In English)
Cinema and Mass Media
Izvolov Nikolai A.
Restoration of Lost Film Heritage on the Example of Dziga Vertov’s Film Anniversary of the Revolution
Vinogradov Vladimir V.
Military Utopias in Soviet Cinema
Palshkova Maria A.
Some Characteristics of the Representation of Stalin’s Image in Soviet Feature Films of the 1930s-1940s
Evallyo Violetta D.
The Adventures of Road Workers (1974–1980): National Specificity of the Georgian Trio
Smagina Svetlana A.
Our Hearts Demand Change. The Image of a Rock Musician in the Late Soviet Cinema
Voskresenskaya Victoria V.
The National Landscape in Russian Film Comedies about the Village of the 1990s: ‘The Village Trilogy’ by V. Chikov
About the Authors
About the Authors. Abstracts