2023 № 4 (47)

Art & Culture Theory
Lukina Galima U., Kuprina Elena Yu.
Discussion on the Concept of “Artistic Intent”
Girin Yuri N.
In Search of Epistems, or the Scientific Reception of Some of M.M. Bakhtin’s Ideas
Ushkarev Alexander A.
Is Culture Bad for Us? Modern Trends in Understanding of the Social Functioning of the Art
Matvienko Kristina N.
The Corporeal in Contemporary Social Theatrical Practices: Projects of the 2020s
Kozyakova Mariia I.
From Comos to Art: Ritual, Spectacle, Entertainment
Individual Art Worlds
Lebedeva Ilona V.
Borukh’s Metals. On the 85th Anniversary of Boris A. Shteinberg’s Birth
Shik Ida A.
“Moscow Surrealism” by Mikhail Dashevsky
Tsvetkovskaya Tatiana A.
Ecology of the Music Mind. On the Idea of “the Binding Pattern” in Christopher Small’s Concept of Musicking
Art of the Soviet Era
Mostitskaya Natalya D., Mitasova Svetlana A.
May Day Parade as a Cultural Phenomenon
Mashukova Аlexandra V.
The Arbuzov Studio (1938–1945): Gaideburov’s Trace
Fine Arts
Sipovskaya Natalia V.
The Russian Avant-Garde and the System of Archetypes. Demonstration Experience
Ainutdinov Anton S.
Addresses of the First St. Petersburg Artists in 1703–1741
Perfilieva Irina Yu.
Architectural Motifs in Jewellery Art of the 20th — the First Quarter of the 21st Century
Batorova Elena A.
Jewellery Headdress Finials as Signs of the Rank Hierarchy of the Trans-Baikal Buryats in the Second Half of the 19th — Еarly 20th Century
Martynova Daria O.
Reception of the Ragtime and the Grizzly Bear Dance in the Art of the Early 20th Century
Andreeva Ekaterina Yu.
Soviet Art at Art Exhibitions and Expositions of Russian Museums and Galleries in the 1990s–2020s
Musical Culture
Pashina Olga A.
Folk Terminology Associated with Multipart Singing among Russians
Teterina Nadezhda I.
“Where Art Thou, Little Star?”. To the Publication of M.P. Musorgsky’s The Years of Youth Song Collection
Seregina Natalia S.
Griboyedov’s “Code” in Russian Musicology (A.S. Griboyedov, M.D. Rezvoy, V.F. Odoevsky)
Nikolskaya Irina I.
The Warsaw Autumn International Music Festival — Overcoming the Boundaries between East and West (In Russian)
Nikolskaya Irina I.
The Warsaw Autumn International Music Festival — Overcoming the Boundaries between East and West (In English)
Sobakina Olga V.
The Poetry of A. Mickiewicz in the Chamber-Vocal Works by S. Moniuszko
Skvirskaya Tamara Z.
Pages of the History of the Creation of the Cantata Moscow by P.I. Tchaikovsky’s: Unpublished Correspondence between the Composer and P.A. Richter
Gavrikov Vitalii A.
Visualization in Song and Poetry Culture
Cinema and Mass Media
Mikheeva Julia V.
Geist-Theme as a Meaningful Absence of Film Music
Smagina Svetlana A.
The Image of a Doctor in Modern Russian Cinema of a New “Moral Concern”
Zimenkov Nikita A.
“Captured Crisis”: C. Reygadas’s Cinematography at the Crossroads of Cultural Paradigms
Sapegina Tatiana A.
Concert in the Golden Age Hollywood Cartoons
Reviews
Gnedovskaya Tatiana Yu.
Review of N.Yu. Molok’s Monograph David Arkin: “The Ideologue of Cosmopolitanis” in Architecture
Shamilli Giula B.
The Experiment Is Not Over! Reflections on the New Book Those Who Entered Pardes by A.B. Kovelman
About the Authors
About the Authors. Abstracts