2025 № 2 (53)

‘Brave Ephemeral World’. Reflections on Non-Linearity in Screen Arts

UDC 007; 316.776.22; 791.43

LBC 60.524; 71.07; 85.37

DOI: 10.51678/2226-0072-2025-2-414-447


For cit.: Maloletkin M.F. ‘Brave Ephemeral World’. Reflections on Non-Linearity in Screen Arts. Hudozhestvennaya kul’tura [Art & Culture Studies], 2025, no. 2, pp. 414–447. https://doi.org/10.51678/2226-0072-2025-2-414-447. (In Russian)


Maloletkin Maksim F.

PhD Student, S.A. Gerasimov All-Russian University of Cinematography, 3 Wilhelm Pieck Str., Moscow, 129226, Russia

https://orcid.org/0000-0003-3724-5346

ResearcherID: JRY-9737-2023

mail@ffbsoffa.org


‘Brave Ephemeral World’. Reflections on Non-Linearity in Screen Arts


Abstract. This article explores the phenomenon of information noise in screen arts, with a focus on non-linear formats such as clips and stories. The study examines how television served as a predecessor to modern nonlinear screen arts, presenting both statistical and narrative analysis of various non-linear content. Research shows that consuming content of such formats may lead to fragmentary thinking and increased demand for ‘light entertainment’. Modern viewers demonstrate shorter attention spans and resistance to lengthy content, which affects their perception of feature films, short films, and other complex media. These changes are viewed as part of a broader transformation of screen arts into new forms of perception.

Keywords: information noise, information overload, cinema, social communication, value, concept, stories, clips, non-linear screen arts, ephemeral content, momentariness, authenticity, simulacra


References:

Bazin A. Chto takoe kino?: Sbornik statei [What Is Cinema?: Collection of Articles], transl. from French, intr. article I. Vaysfeld. Moscow, Iskusstvo Publ., 1972. 384 p. (In Russian)

Bauman Z. Individualizirovannoe obshchestvo [Individualized Society], transl. from English under ed. V.L. Inozemtsev. Moscow, Logos Publ., 2005. 390 p. (In Russian)

Baudrillard J. Simulyakry i simulyatsii [Simulacra and Simulation], transl. from French A. Kachalov. Moscow, Postum Publ., 2015. 240 p. (In Russian)

Bykov D.V. Konkurentnaya bor’ba osnovnykh televizionnykh kholdingov SSHA v pervoe desyatiletie veshchaniya (1946–1956 gg. XX veka) [Competitive Struggle of Major US Television Holdings in the First Decade of Broadcasting (1946–1956 of the 20th Century]. Vestnik Voronezhskogo gosudarstvennogo universiteta. Seriya: Filologiya. Zhurnalistika, 2016, no. 4, pp. 93–96. Available at: http://www.vestnik.vsu.ru/pdf/phylolog/2016/04/2016-04-22.pdf (accessed 27.05.2024). (In Russian)

V Assotsiatsii blogerov nazvali naibolee perspektivnye ploshchadki dlya razmeshcheniya videokontenta [Bloggers Association Named the Most Promising Platforms for Video Content Placement]. Izvestiya, 25.12.2024. Available at: https://iz.ru/1810998/2024-12-25/v-associacii-blogerov-nazvali-naibolee-perspektivnye-plosadki-dla-razmesenia-videokontenta (accessed 25.12.2024). (In Russian)

Dolgushina M.Yu. Muzykal’naya kul’tura v SMI [Musical Culture in Mass Media]. Analitika kul’turologii, 2005, no. 3, pp. 32–41. Available at: https://cyberleninka.ru/article/n/muzykalnaya-kultura-v-smi (accessed 14.05.2024). (In Russian)

Elyakov A.D. Informatsionnaya peregruzka lyudei [Information Overload of People]. Sotsiologicheskie issledovaniya, 2005, no. 5, pp. 114–121. (In Russian)

Kemarskaya I.N. Attraktsion kak element ehkrannoi dramaturgii [Attraction as an Element of Screen Dramaturgy]. Vestnik MGU. Seriya 10: Zhurnalistika, 2018, no. 3, pp. 17–30. https://doi.org/10.30547/vestnik.journ.3.2018.1730. (In Russian)

Klyueva L.B. S. Eizenshtein. Agressiya diskursa: teoreticheskoe obosnovanie [S. Eisenstein. Aggression of Discourse: Theoretical Foundation]. Vestnik VGIK, 2020, vol. 12, no. 3 (45), pp. 8–28. (In Russian)

Kunaeva L.I., Kuzovlev A.M., Chigirev R.Yu., Volkov A.V. Novye media kak realizatsiya informatsionno-kommunikatsionnykh tekhnologii v seti Internet [New Media as Implementation of Information and Communication Technologies on the Internet]. Vestnik Saratovskogo gosudarstvennogo sotsial’no-ehkonomicheskogo universiteta, 2013, no. 3, pp. 177–180. Available at: https://cyberleninka.ru/article/n/novye-media-kak-realizatsiya-informatsionno-kommunikatsionnyh-tehn... (accessed 09.06.2024). (In Russian)

McLuhan H.M. Ponimanie Media: Vneshnie rasshireniya cheloveka [Understanding Media: The Extensions of Man], transl. from English V.G. Nikolaev. Moscow, Kanon-press-Ts Publ., Kuchkovo pole Publ., 2003. 464 p. (Prilozhenie k serii “Publikatsii Tsentra Fundamental’noi Sotsiologii” [Appendix to the series “Publications of the Center for Fundamental Sociology”]). (In Russian)

Maloletkin M.F. Problematika informatsionnogo shuma v kontekste sovremennogo kinematografa [Problems of Information Noise in the Context of Modern Cinema]. Hudozhestvennaya kul’tura [Art & Culture Studies], 2024, no. 3, pp. 534–567. https://doi.org/10.51678/2226-0072-2024-3-534-567. (In Russian)

Mankovskaya N.B. Postmodernizm v ehstetike [Postmodernism in Aesthetics]. Filosofskaya antropologiya, 2018, vol. 4, no. 1, pp. 192–230. https://doi.org/10.21146/2414-3715-2018-4-1-192-230. (In Russian)

Slovar’ peremen 2017–2018 [Dictionary of Changes 2017–2018], comp. M. Vishnevetskaya. Moscow, Tri kvadrata Publ., 2022. 288 p. (In Russian)

Smirnov D.N. Evolyutsiya mnogokanalnykh prostranstvennykh sistem vosproizvedeniya zvuka [Evolution of Multichannel Spatial Sound Reproduction Systems]. Mediamuzyka, 2020, no. 11. Available at: http://mediamusic-journal.com/Issues/11_6.html (accessed 24.04.2024). (In Russian)

Urazova S.L. O ploshchadnoi ehkrannoi kul’ture i printsipakh formoobrazovaniya ee produkta. Vozvrashchenie k istokam [On Public Screen Culture and Principles of Formation of Its Product. Return to Origins]. Mediaskop. Tekhnologii mediaproizvodstva, 2011, no. 2. Available at: http://www.mediascope.ru/node/816 (accessed 01.06.2024). (In Russian)

Utilova N.I. Rol’ klipa v sovremennoi vizual’noi kul’ture [The Role of Music Video in Modern Visual Culture]. Vestnik VGIK, 2022, vol. 14, no. 1 (51), pp. 114–125. (In Russian)

Shemetova T.N. Klipovoe internet-soznanie kak tip pralogicheskogo myshleniya [Clip Internet Consciousness as a Type of Pralogical Thinking]. Vestnik Nizhegorodskogo universiteta im. N.I. Lobachevskogo, 2013, no. 4 (2), pp. 254–259. (In Russian)

Evallye V.D. Poliehkran: k probleme oboznacheniya ponyatiya [Multi-Screen: To the Problem of Concept Definition]. Hudozhestvennaya kul’tura [Art & Culture Studies], 2018, no. 3, pp. 232–255. Available at: http://artculturestudies.sias.ru/upload/iblock/70a/hk_2018_03_232_255_evalye.pdf (accessed 01.06.2024). (In Russian)

Evallye V.D. Ehkrannaya sreda v prostranstve Moskovskogo metropolitena [Screen Environment in Moscow Metro Space]. Vestnik slavyanskikh kul’tur, 2021, vol. 60, pp. 8-20. https://doi.org/10.37816/2073-9567-2021-60-8-20. (In Russian)

Banks J. MTV and the Globalization of Popular Culture. International Communication Gazette, 1997, vol. 59, issue 1, pp. 43–60. https://doi.org/10.1177/0016549297059001004.

Cherry C. Some Experiments on the Recognition of Speech, with One and with Two Ears. Journal of the Acoustical Society of America, 1953, vol. 25, issue 5, pp. 975–979.

Hall S. Encoding and Decoding in the Television Discourse. Centre for Contemporary Cultural Studies, University of Birmingham, 1973. Available at: https://web.archive.org/web/20201127011216/https://www.birmingham.ac.uk/Documents/college-artslaw/history/cccs/stencilled-occasional-papers/1to8and11to24and38to48/SOP07.pdf (accessed 04.02.2025).

Imada K. A Super Realistic Giant 3D Cat Has Appeared on a Billboard in Shinjuku. Time Out Tokyo, 12.08.2021. Available at: https://www.timeout.com/tokyo/news/a-super-realistic-giant-3d-cat-has-appeared-on-a-billboard-in-shinjuku-070621 (accessed 04.06.2024).

Imada K. A Giant 3D Akita Inu Is Appearing on Billboards around Shibuya Crossing. Time Out Tokyo, 28.07.2022. Available at: https://www.timeout.com/tokyo/news/a-giant-3d-akita-inu-is-appearing-on-billboards-around-shibuya-crossing-072822 (accessed 04.06.2024).

Imada K. Tokyo Now Has Three 3D Billboards with Cute, Realistic Animation. Time Out Tokyo, 17.05.2023. Available at: https://www.timeout.com/tokyo/news/a-super-realistic-giant-3d-cat-has-appeared-on-a-billboard-in-shinjuku-070621 (accessed 04.06.2024).

Jones S. MTV: The Medium Was the Message. Critical Studies in Media Communication, 2005, vol. 22, no. 1, pp. 83–88. https://doi.org/10.1080/0739318042000333734.

Kahneman D. Thinking, Fast and Slow. New York, Farrar, Straus and Giroux, 2011. 512 p.

Miller G.A. The Magical Number Seven, Plus or Minus Two: Some Limits on Our Capacity for Processing Information. Psychological Review, 1956, vol. 63, no. 2, pp. 81–97. https://doi.org/10.1037/h0043158.

Narula U. Communication Models. New Delhi, Atlantic, 2006. 136 p. Available at: https://archive.org/details/communicationmod0000naru (accessed 15.05.2024).

Scheibehenne B., Greifeneder R., Todd P. Can There Ever Be Too Many Options? A Meta-Analytic Review of Choice Overload. Journal of Consumer Research, 2010, vol. 37. Available at: https://www.scheibehenne.de/ScheibehenneGreifenederTodd2010.pdf (accessed 08.02.2025).

Schmid S., Wilson D., Rankin C. Habituation Mechanisms and Their Importance for Cognitive Function. Frontiers in Integrative Neuroscience, 2014, vol. 8. https://doi.org/10.3389/fnint.2014.00097. Available at: https://www.frontiersin.org/journals/integrative-neuroscience/articles/10.3389/fnint.2014.00097/full (accessed 22.11.2024).

Schwartz B. The Paradox of Choice: Why More Is Less. HarperCollins Publishers, 2004. 288 p.

Shannon C.E. A Mathematical Theory of Communication: Reprint with Corrections. 1948. Harvard Mathematics Department. Harvard University. Available at: https://people.math.harvard.edu/~ctm/home/text/others/shannon/entropy/entropy.pdf (accessed 24.08.2023).

Wright B. A. Making Films Sound Better: The Transition to Dolby Sound in Hollywood Cinema. Carleton University, 2005. Avaialble at: https://repository.library.carleton.ca/downloads/bg257f65x (accessed 18.05.2024).


Received 17.06.2024

Accepted 11.03.2025



Скачать в pdf