2025 № 4 (55)

Art & Culture Theory
Silyunas Vidmantas Yu.
Renaissance and the Renaissances, or What the Spanish Renaissance Revived
Shamilli Giula B.
On Recontextualization of Images in the Jewish-Persian Manuscript MS1398 from the Collection of Elkhan Natan Adler
Ushkarev Alexander A., Dukov Evgeny V.
Network Transformation of Cultural Activity
Smolev Daniil D.
Seriality at the Dawn of Photography: The Problem of Temporality
Individual Art Worlds
Vinogradova Elena K.
“I Am not an Observer, I Am a Participant”. On Josef Čapek’s Pre-War Caricature
Bulgarov Vyacheslav S.
The Image of Death in Alfred Rethel’s Graphic Sheets in the Context of Sociopolitical Events in Germany in the Mid-19th Century
Steppe Ekaterina M.
Nine Songs by Claude Terrasse for Répertoire des Pantins: The Innovation and Significance of Pierre Bonnard’s Musical Illustration
Art of the Soviet Era
Khairova Valentina Sh.
The Origin and Development of the Seascape Genre in Turkmenistan: The Works of V.Ya. Pavlotsky
Gloushakov Yaroslav V.
TV Project ‘Pesnya Goda’ (Song of the Year): A Look from the Future
Fine Arts
Sipovskaya Natalia V.
Matryoshka: Studio Art and Folk Tradition (In Russian)
Sipovskaya Natalia V.
Matryoshka: Studio Art and Folk Tradition (In English)
Yakimovich Alexander K.
Metropolitan and Regional Art in Russia, 2000–2025
Kochetkova Anastasia D.
Japanese Export Furniture in the Russian Interior Ensemble of the 18th Century. On the Example of the Cabinets from the Counts Sheremetev Collection
Martynova Daria O.
Interpretation of Persian Motifs in the Artworks of William de Morgan (In Russian)
Martynova Daria O.
Interpretation of Persian Motifs in the Artworks of William de Morgan (In English)
Vrionakis Evgeniya Ch.
German Renaissance Paintings in the Collection of P.P. Vyazemsky: Characteristics of the Collection
Lazareva Ekaterina A.
Reception of the Avant-garde in Russian Contemporary Art of the 1980s and 1990s
Musical Culture
Lukina (Aminova) Galima U. , Khutarev-Garnishevsky Vladimir V.
S.I. Taneyev Through the Eyes of a Landlord. Memoirs of N.P. Vishnyakov
Teterina Nadezhda I.
Moscow, Muscovites, and the Moscow Conservatory During the Great Patriotic War. Based on the Letters of Olga E. Levasheva
Sobakina Olga V.
Cantatas Widma and Sonety krymskie by Stanisław Moniuszko to the Lyrics by Adam Mickiewicz: The Interpretation of the Plot and the Specifics of the Genre
Kononenko Nataliya G.
Bergman and Mozart: Interludes of Lanterna Magica
Cinema and Mass Media
Balandina Natalia P.
The Phenomenon of Co-production. The Formation and Evolution of Franco-Italian Joint Film Production in the 1940s–1960s
Evallyo Violetta D.
Representation of the Ideal Hero’s Environment in Pre-Revolutionary and Soviet Silent Cinema Worldviews
Vlaskin Kirill A.
The Motif of ‘Cinema about Cinema’ in Russian Feature Films of the Second Half of the 1920s
Gurov Oleg N.
Limits of Embodiment and Metamorphoses of Identity: David Cronenberg’s The Fly
Bavykina Maria S.
The Long Take and Camera Movement: The Aesthetic Potential of the Interaction
Maloletkin Maksim F.
On the Critique of the ‘Creator — Viewer’ Information Chain
Reviews
Yakimovich Alexander K.
The Family Tree of Vs. Meyerhold: Discoveries and a Stylistic Trap
About the Authors
About the Authors. Abstracts