2025 № 3 (54)

Art & Culture Theory
Andreeva Ekaterina Yu.
The Organics of the St. Petersburg Avant-garde: From Matyushin to Kotelnikov (In Russian)
Andreeva Ekaterina Yu.
The Organics of the St. Petersburg Avant-garde: From Matyushin to Kotelnikov (In English)
Yakimovich Alexander K.
‘Russian Happiness’. A Mythologeme of Contemporary Art
Izvolov Nikolai A., Mokrushina Natalia V., Yurgeneva Alexandra L., Evallyo Violetta D., Petrushanskaya Elena M., Vilkov Konstantin A., Salnikova Ekaterina V.
The Concept of Document in Art. Documentality, Authenticity, Truth
Sazikov Aleksey V.
Counterculture and Social Revolution in the Context of Project Activity. Information Technology and Citizen Diplomacy
Individual Art Worlds
Marievskaya Natalia E.
The Structure of the Artistic Space in the Films About Power
Artamonova Maria M.
Peasant Wedding in the Oeuvre of E.V. Chestnyakov (Based on Paintings and Graphic Works)
Art of the Soviet Era
Nikitin Vitaly S.
Nikolai Evreinov: Approaches to Theatre Ontology
Leskinen Maria V.
The Apotheosis of Power of the Soviets by the ‘Far from Modernity’ Artist N.I. Verkhoturov
Karavaev Dmitry L.
“We Are Not Afraid of Either Ice or Clouds!” The Theme of Conquering the Arctic and the ‘Ocean of Air’ in Soviet Newsreel of the 1930s
Fine Arts
Batorova Elena A.
Artistic Metal in the Context of Epic Tales of the Buryats: The Concept of ‘Silver’
Sadovina Vera P.
Aluminium in Italian Futurist Sculpture. A Medium of Regime Aesthetics or the Progressive Present?
Podlipentseva Kseniya I.
Liminality and Liminal Spaces in Contemporary Russian Visual Art: From Ritual Practices to Digital Reality
Musical Culture
Vinar Yulia O.
Film Musical and Musical Film: The Narrative and Auxiliary Functions of Music and Choreography as a Way to Differentiate Between the Genres
Yunakov Andrei A.
Songs in the Narrative Structure of Video Games: Functions and Features
Cinema and Mass Media
Kolotaev Vladimir A.
Bakhtin’s Model of the Grotesque Body in Coralie Fargeat’s Film The Substance and Split Personality
Fedotova Larisa A., Lavrentieva Ekaterina A.
The Photogram at the Intersection of Art and Technology: Evolution and Transformation in the History of Photography
Zhukov Dmitry K.
Documentary Effect in Cinema
Zaitsev Alexey Ya.
Neural Networks as a Tool of Conceptualization and Supervision in the Screen Art: The Issues of Authorship in the Digital Age
Reviews
Koljazin Vladimir F.
The Phenomenon of Chronotope-Anthropological Art Studies. Reflections on the Monoraph by Alexander Yakimovich, Fragmentary in Volume and Innovative in Spirit
About the Authors
About the Authors. Abstracts