2024 № 4 (51)

Art & Culture Theory
Kondakov Igor V.
Terminology of Art: The Transformation of Artistic Speech into Scientific One
Pashina Olga A.
The Relationship between Church and State and Their Impact on Traditional Culture
Bykhovskaya Irina M.
Sports in the Soviet Artistic Interpretation: A Culturological View on Motives and Narratives
Mazalova Nataliya E.
The Concept ‘St. Petersburg House’ in the World Picture of Urban Mythology
Gubanova Galina I.
The Phenomenon of the Group Mask: Origins, Options, Meanings
Artamonova Ekaterina A.
Masks in the Spanish Theater of the Golden Age on the Example of P. Calderon’s Comedies
Individual Art Worlds
Baldina Yuliya A.
Commedia dell’Arte Masks in Giorgio Strehler’s Performances
Zavyalova Anna E.
Mstislav Dobuzhinsky — The Author of the Graphic Design of Mikhail Kuzmin’ Books
Shik Ida A.
Julia Zhukova’s Porcelain Art: The Philosophy and Aesthetics of Minimalism
Art of the Soviet Era
Levshenkov Vladimir V.
Sergei Chekhonin’s Dish ‘The Horror’ (1922): an Allegory of the Revolution Destroying Orthodoxy
Kotlomanov Alexander O.
Looking for the Auteur Intonation: The Poem The Twelve in the Creative Interpretation of Artists of the 1960s–1970s
Ivanov Vladislav V.
Boris Zingerman. Letters to the Teachers (Publication, Introductory Article and Comments)
Mashukova Аlexandra V.
To Hear Out the Young: The Past and the Future in Two Plays about Komsomol Building Sites
Fine Arts
Zolotova Ekaterina Yu.
Two Illuminated Letters of Queen Anne Stuart from the Russian State Archive of Ancient Documents Сollection in Moscow
Klimova Irina V.
The Character with Masks and a Heart at the Feet of the Giant of the Antwerp Entry of Archduke Ernst of Austria (1594): the Origin and Meaning
Leskinen Maria V.
‘Russia Lifting Up Its Grateful Gaze’: On One Motive of the Feminine Representations of Russia in the Allegorical Images of the 18th Century