2024 № 4 (51)

Art & Culture Theory
Kondakov Igor V.
Terminology of Art: The Transformation of Artistic Speech into Scientific One
Pashina Olga A.
The Relationship between Church and State and Their Impact on Traditional Culture
Bykhovskaya Irina M.
Sports in the Soviet Artistic Interpretation: A Culturological View on Motives and Narratives
Mazalova Nataliya E.
The Concept ‘St. Petersburg House’ in the World Picture of Urban Mythology
Gubanova Galina I.
The Phenomenon of the Group Mask: Origins, Options, Meanings
Artamonova Ekaterina A.
Masks in the Spanish Theater of the Golden Age on the Example of P. Calderon’s Comedies
Individual Art Worlds
Baldina Yuliya A.
Commedia dell’Arte Masks in Giorgio Strehler’s Performances
Zavyalova Anna E.
Mstislav Dobuzhinsky — The Author of the Graphic Design of Mikhail Kuzmin’ Books
Shik Ida A.
Julia Zhukova’s Porcelain Art: The Philosophy and Aesthetics of Minimalism
Art of the Soviet Era
Levshenkov Vladimir V.
Sergei Chekhonin’s Dish ‘The Horror’ (1922): an Allegory of the Revolution Destroying Orthodoxy
Kotlomanov Alexander O.
Looking for the Auteur Intonation: The Poem The Twelve in the Creative Interpretation of Artists of the 1960s–1970s
Ivanov Vladislav V.
Boris Zingerman. Letters to the Teachers (Publication, Introductory Article and Comments)
Mashukova Аlexandra V.
To Hear Out the Young: The Past and the Future in Two Plays about Komsomol Building Sites
Fine Arts
Zolotova Ekaterina Yu.
Two Illuminated Letters of Queen Anne Stuart from the Russian State Archive of Ancient Documents Сollection in Moscow
Klimova Irina V.
The Character with Masks and a Heart at the Feet of the Giant of the Antwerp Entry of Archduke Ernst of Austria (1594): the Origin and Meaning
Leskinen Maria V.
‘Russia Lifting Up Its Grateful Gaze’: On One Motive of the Feminine Representations of Russia in the Allegorical Images of the 18th Century
Bobrinskaya Ekaterina A.
Radiant Painting, Radiant Matter and Radiant Energy: Science and Paranoscience (In Russian)
Bobrinskaya Ekaterina A.
Radiant Painting, Radiant Matter and Radiant Energy: Science and Paranoscience (In English)
Dutsev Mikhail V.
Contemporary Language of Architecture. The Individuality of an Architect in the Space of a Modern City
Gavrilova Ekaterina A.
Images of Catherine the Great in the Sheremetev Collection: On Two Sculptures from the Ostankino Palace
Dedkov Oleg M.
Between the Reconstruction of Utopia and the Renovation of Dystopia: Details to the Architectural Portrait of Moscow in the Film The Master and Margarita (2024)
Musical Culture
Pashina Olga A.
On the Genetic and Typological Relationship of the Russian Folk Singing Tradition and Church Singing Art
Shamilli Giula B.
Sounding Memory in the Tradition of the Caucasian Jews. Part II. The Rhetoric of Lamentation
Sobakina Olga V.
The Polish Musical Film of the 1930s: From the Musicals to Film Adaptations of Stanisław Moniuszko’s Operas
Shatsky Pavel A.
Piano Pieces by M.P. Mussorgsky. Article I. Dancing, Opera Scenes, Scherzo
Cinema and Mass Media
Zimenkov Nikita A.
The Historicity, Affect, and Depth of ‘Slow’ Cinema
Grishina Alina V.
The Image of the Road in the Yakut New Wave Films
Ivanchenko Inna I.
Existentialist Ideas in Luchino Visconti’s Films: Intertextual and Contextual Perspectives
Viren Denis G.
Andrzej Wajda’s Sweet Rush as an Extended Film Adaptation
Reviews
Sipovskaya Natalia V.
Time of Rome: Topography of Eternity
About the Authors
About the Authors. Abstracts