2024 ¹ 2 (49)

Art & Culture Theory
Arslanov Victor G.
The Discourse on Free Arts… by P. P. Chekalevsky as a Prologue to the Plot of the Russian Art History of the 19th Century
Florkovskaya Anna K.
The Apophatica Project by Gor Chakhal. The Religious Theme in the New Media Art in Russia in the 2010s
Tulchinskii Grigorii L.
Laughter and the Normative Banal: The Challenge of the Digital
Individual Art Worlds
Silyunas Vidmantas Yu.
Tirso de Molina: Theatricism of Life and the Magic Power of Theater
Atapin Ivan I.
The Sculptor at the Crossroads: Ivan Shadr’s Urals and Siberian Tour, 1918–1919
Bozhko Arina Yu., Kukhta Maria S.
Transcendental Dimensions of Ancient Dance Culture
Smirnova Elena E.
The Elements of Fantasy in Martine Franck’s Photography Projects of the 1970s‑1990s
Art of the Soviet Era
Kupets Lyubov A.
Music of the Soviet Era as Public History (Based on Materials of the Arzamas Website)
Manucharova Daria À.
Portrait Works by Olga Della-­Vos-­Kardovskaya in the Context of the Russian Art of the 1900s‑1930s
Fine Arts
Inshakov Aleksandr N.
Mikhail Vrubel’s Exhibition as a Subject of Art Criticism Reflection
Kononenko Evgenii I.
The Kazan Cathedral Mosque Incident: On the History of One Architectural Project
Slyunkova Inessa N.
A Well with a Gargoyle and the Principle of Hyperquotation in the Architecture of the Livadia Palace
Musical Culture
Aleksandrova Vasilisa A.
H. F. Redlich on M. P. Musorgsky’s Songs and Dances of Death: To the History of the International Music Publishing Contacts in the First Third of the 20th Century
Vasenina Ekaterina V.
Liturgy by Leonide Massine and Liturgy by Olga Tsvetkova: In Search of Historical and Cultural Dialogue
Cinema and Mass Media
Saraskina Liudmila I.
Truth and Untruth in Historical Reputations. The Image of the Emperor Nicholas I in Russian Cinema
Smolev Daniil D.
Series and Pauses: To the Problem of Cutting (In Russian)
Smolev Daniil D.
Series and Pauses: To the Problem of Cutting (In English)
Lvov Nikolai A.
Othello by Orson Welles and by Sergei Yutkevich: The Moor’s Tragedy Interpretations in the USA and the USSR
About the Authors
About the Authors. Abstracts