2026 № 1 (56)

Art & Culture Theory
Khrenov Nikolai A.
Philosophical Subtexts of the Science Fiction Genre: Andrei Tarkovsky
Ustyugova Elena N.
Soviet Aesthetics of the 1960s in Defense of Humanitarian Values
Markov Alexander V., Shtayn Oksana A.
The Visual Gavagai
Individual Art Worlds
Karpova Tatyana L.
‘Blossoming Complexity’. Following the Exhibition by Viktor Rusanov
Shik Ida A.
Vladimir Pozdnyakov. Meditations on Monrepos
Kulikov Petr V.
Art as Vehicle by J. Grotowski in the Mirror of Neoplatonic Aesthetics
Art of the Soviet Era
Gordeev Petr N.
The Decembrist on the Stage of the Maly Theatre in 1918: The Soviet Premiere of the Imperial Theatre (In Russian)
Gordeev Petr N.
The Decembrist on the Stage of the Maly Theatre in 1918: The Soviet Premiere of the Imperial Theatre (In English)
Salnikova Ekaterina V.
Reception of Soviet Adventurous Films in the Domestic Periodicals of the 1920s
Fine Arts
Loukitcheva Krassimira L.
Absurd as the Core of Meaning-Making Strategies in James Ensor’s Work
Zlydneva Nataliya V.
Absurdity in Art: Concept and Context
Shvets Elina G.
Between Sail and Ferry: I.K. Aivazovsky and the Creation of a Myth (How Painting Preserved the Image of the Sailing Fleet in the Era of Technical Progress)
Musical Culture
Kondratova Polina A.
St Matthew Passion by J. Neumeier: Choreographic Embodiment of J.S. Bach’s Oratorio
Onoshko Irina Yu.
The Cycle of Piano Transcriptions by I. Olovnikov Eighteen Songs-Preludes: Features of the Transformation of the Original
Cinema and Mass Media
Kotik Nikita V.
A Man from the Outside: The Innovative Hero Type in the Industrial Films of the 1970s
Dymshits Semen V.
The Phenomenon of a Scientific Biographical Film. On the Material of the Unproduced Screenplay Mechnikov by I.V. Bakhterev
About the Authors
About the Authors. Abstracts