2021 № 3 (38)

Art Theory
Krivtsun Oleg A.
About Artistry in Art
Mankovskaya Nadezhda B.
Aesthetics of Early French Romanticism and Its Literary Aspects. Germaine de Stael
Girin Yury N.
The Poetics of “Twilightness” in the Space of an Era
Contemporary Culture
Andreeva Ekaterina Yu.
Screening the Revelation: Bill Viola — Andrei Tarkovsky
Tulchinskii Grigorii L.
Man-Machine and Machine-Man in Art: Meeting in Digital
Tsvetkovskaya Tatiana A.
A Multifunctional Model of a Modern Listener’s Behavior
Fine Arts
Voytekunas Valentina A.
Early Italian Art in the Works of Nicholas Roerich (1900s–1910s)
Sokolova Anastasia S.
Kursk Exhibitions of Kazimir Malevich: An Attempt of Reconstruction
Dremova Elizaveta N.
The Problem of Representing Trauma and the Role of Art in Witnessing Unspeakable Experience
Bokhorov Konstantin Yu.
Algorithmic Apophenia and Aestheticization of Data
Musical Culture
Shamilli Giula B.
Musicking and Islamic Law as a Problem of Methodology
Nourshargh Hosein E.
Tahrir as a Non-Verbal Musical Element in the Art of Avaz
Vinogradova Anna S.
The Man of the Theater from the Environment of P.I. Tchaikovsky: K.N. De-Lazari
Petukhova Svetlana A.
Tamara Livanova (1909–1986) as a Reviewer of Verbal Texts
Syrov Valery N.
Biographical Aspects of Rock Music
Terentyev Sergey S.
Genre and Style Features of Dutch Symphonic Metal (on the Example of Epica)
Cinema and Mass Media
Mikheeva Julia V.
The Voice of the Operating System in the Spike Jonze Film Her as a Hyperreal Object of Love
Sputnitskaya Nina Yu.
American Baby Boom and the Soviet Pioneer Camp: Enemies and the “Hidden Threat” in the Children’s Cinema of the USSR and the USA in the 1930s and 1960s
Zaytsev Aleksey Ya.
Wondrous Light or “the World Inside Out” in the Author’s Animation by Valentin Olshvang
Art in Arts. Reflections
Saraskina Liudmila I.
First Russian Cyclists and Their Bicycles: Images in Literature and in Cinema
Yurgeneva Alexandra L.
Photography of the World of Russian Rock in Modern Reflection
Individual Art Universe
Miroshnikova Elizaveta V.
Balls of Count Etienne de Beaumont as an Element of the Social and Artistic Life of Paris in the 1920–1930s
Sych Olga N.
Architectural and Anti-Architectural Motives in the Work of Einstürzende Neubauten
Discussion
Sokolov Konstantin B., Siyuhova Aminet M., Dvornik Philipp S., Bykanova Elizaveta V, Sputnitskaya Nina Yu., Gurov Oleg N.
A Technological Phenomenon. Humanitarian Aspects
About the Authors
About the Authors. Abstracts