2022 № 3 (42)

Art & Culture Theory
Dutsev Mikhail V.
Architectural Environment as a Contemporary (In English)
Mankovskaya Nadezhda B.
The Stoicism of the Lone Wolf. The Romantic Aesthetic of Alfred de Vigny and Its Literary Outlines. Part Two
Individual Art Worlds
Dedinkin Mikhail O.
Friedrich Wilhelm Brass, Creator of the Genossenschaft for Proletarian Art in Berlin: the First Experience of a Biography
Subbotina Natalia M.
Konstantin Korovin’s Expression in His Literary Heritage
Art of the Soviet Era
Andreeva Ekaterina Yu.
The New Theatre of the New Artists Group and the Russian Avant-Garde (In Russian)
Andreeva Ekaterina Yu.
The New Theatre of the New Artists Group and the Russian Avant-Garde (In English)
Kondratenko Irina Yu.
The Publishing Project of the All-Union Academy of Architecture. V.P. Zubov’s Contribution to the Architectural Theory of the 1930s
Fine Arts
Klyushina Elena V., Kostyrya Maksim A.
On the Question of Possible Iconographic Prototypes of the Portrait of Jeanne Kéfer by Fernand Khnopff
Shulgina Olga M.
A.L. Gorbunkov and Iconographic Sources of the Walrus Ivory Carving Art of the Chukchi and Asian Eskimos in the First Third of the 20th Century
Musical Culture
Yarosh Olga V.
M.P. Mussorgsky’s Vocal Compositions in the Genre of Musical Portrait
Cinema and Mass Media
Saraskina Liudmila I.
Crime and Punishment, a Comedy by Mikhail Zoshchenko, and Its Two Soviet Screen Versions: Fiction and Reality
Salnikova Ekaterina V.
Dog Barbos and Unusual Cross in the Context of Soviet Culture, Folklore and “Game Fiction”
Mikheeva Julia V.
The Colour and Sound of Blue in a Film: From Depths to Light
Tsuntaeva Aminat D.
The Lack-of-Freedom Images in the Films of Modern Caucasian Directors
Reviews
Krivtsun Oleg A.
A Passion That Leads to Death
About the Authors
About the Authors. Abstracts