2022 № 1 (40)

Art Theory
Mankovskaya Nadezhda B.
The Stoicism of the Lone Wolf. The Romantic Aesthetics of Alfred de Vigny and Its Literary Outlines. Part One
Bychkov Victor V.
The Philosophy of Art of Early Friedrich Schlegel
Tabunova Nadezda A.
The Main Features of the Expressiveness of the Arts in the Modern Era
Individual Art Worlds
Goryachok Kirill L.
Dziga Vertov and Leni Riefenstahl: Representation of Reality in a Totalitarian Era
Art of the Soviet Era
Voronina Oksana Yu.
New Horizons of Visual and Auditory Perception: OST Art in the Context of Sound Experiments of the 1920s
Ainutdinov Anton S.
Sverdlovsk Artists at Post-War Art Exhibitions, 1946–1952
Slesar Evgeniy A.
Semantic Metamorphoses of The Scarlet Sails Festival (In Russian)
Slesar Evgeniy A.
Semantic Metamorphoses of The Scarlet Sails Festival (In English)
Fine Arts
Podshivalova Polina I.
Reproduction Sculpture in Dutch Genre Painting of the Second Half of the 17th Century
Martynova Daria O.
“Hysterical” Mechanisms and Bodies in Max Ernst’s Collages of the 1920s and 1930s
Musical Culture
Aleksandrova Vasilisa A.
To the History of the Production of Musorgsky’s Opera Khovanshchina in Vittorio Gui’s Stage Version (La Scala, 1933)
Cinema and Mass Media
Yurgeneva Alexandra L.
Photography, Social Networking Sites, and Modern Rituals
Shabalin Vladimir V.
The Screen Space in the Composite Multi-Angle Television Frame
About the Authors
About the Authors. Abstracts