2025 № 1 (52)

UDC 168.522; 75

LBC 85.103(2)

DOI: 10.51678/2226-0072-2025-1-108-127

For cit.: Shvets E.G. The Artist’s Mission During the Russo-Turkish War of 1828–1829: Documentary Landscapes by M.N. Vorobyev. Hudozhestvennaya kul’tura [Art & Culture Studies], 2025, no. 1, pp. 108–127. https://doi.org/10.51678/2226-0072-2025-1-108-127. (In Russian)

Shvets Elina G. 

PhD (in Pedagogy), Associate Professor, Head of the History and Theory of Art Department, Russian State University for the Humanities, 6 Miusskaya Sq., Moscow, 125047, Russia 

https://orcid.org/0000-0003-1821-0586

ResearcherID: ACS-8171-2022

elina_shvets@mail.ru

The Artist’s Mission During the Russo-Turkish War of 1828–1829: Documentary Landscapes by M.N. Vorobyev 

Abstract. The artist Maxim Nikiforovich Vorobyev (1787–1855) possessed a unique gift for combining his creative work with public service, dedicating himself fully to fulfilling tasks and the mission of serving his homeland. Within the scope of the research article, the author examines his role in the military expedition of 1828–1829, where M.N. Vorobyev not only created sketches and paintings at the behest of Emperor Nicholas I and his court but also actively participated in visualizing military and technological innovations. That military expedition became the foundation for several significant works by the artist, including The Seashore Near Varna (1829), View of the Military Telegraph Near Varna (1829), and The Explosion of Varna (1828), which are rarely mentioned in contemporary literature for various reasons. In 1828–1829, as an experienced artist who had participated in multiple military campaigns and diplomatic expeditions, he was seconded to the staff of the Black Sea Fleet and participated in the Russo-Turkish War as an artist and chronicler. His visual reports and sketches often contained hidden information understood only by a narrow circle of high-ranking officials. Those works served as encrypted messages where artistic value intertwined with diplomatic significance. In this study, the author proposes reconstructing the historical context to deepen understanding of the iconography of M.N. Vorobyev’s series of landscape paintings, created as a visual chronicle of the events of the Russo-Turkish War of 1828–1829. 

Keywords: M.N. Vorobyev, Russo-Turkish War of the 1828– 1829, landscapes, advancement of science, telegraph, mines, exhibition 

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Received 01.09.2024 

Accepted 08.11.2024