2025 № 1 (52)
Anthropomorphism of Animal Images at the Turn of the 19th — 20th Centuries: Taxidermy, Book Illustration, Postcards
UDC 76; 77
LBC 85.163; 85.19
DOI: 10.51678/2226-0072-2025-1-412-451
For cit.: Yurgeneva A.L. Anthropomorphism of Animal Images at the Turn of the 19th — 20th Centuries: Taxidermy, Book Illustration, Postcards. Hudozhestvennaya kul’tura [Art & Culture Studies], 2025, no. 1, pp. 412–451. https://doi.org/10.51678/2226-0072-2025-1-412-451. (In Russian)
Yurgeneva Alexandra L.
PhD (in Culture Studies), Senior Researcher, Mass Media Arts Department, State Institute for Art Studies, 5 Kozitsky Lane, Moscow, 125375, Russia
https://orcid.org/0000-0002-0465-4728
ResearcherID: AAV-4275-2021
lvovushka@yandex.ru
Anthropomorphism of Animal Images at the Turn of the 19th — 20th Centuries: Taxidermy, Book Illustration, Postcards
Abstract. The article analyses anthropomorphic images of animals at the turn of the 19th and 20th centuries. The relevance of this research is determined by the attention of various scientific disciplines to the problem of human-animal interaction, as well as by the abundance of images of animals endowed with anthropomorphic features in the modern visual culture (primarily the Internet space). As part of the study, it was concluded that during the period under review, such images acquired new features and went beyond the realm of satire. That process took place against the background of the formation of ecological thinking and the flourishing of the art of taxidermy as a scientific method. One of the new trends was the creation of human-like groups of animals, the plot for which was based on fabliau, folk children’s songs, and scenes of everyday life. The conducted analysis allowed establishing the mutual influence of literature and taxidermy. The author concludes that the success of anthropomorphic biological groups led to changes in the nature of children’s book illustration. Artists began to create images of animals having psychological insight, existing in an elaborately depicted household environment. Gradually, they moved away from the literary basis: what became the main subject of the image was the surrounding everyday reality populated by ‘civilized’ animals. Updated anthropomorphic animals filled periodicals and postcards.
Keywords: anthropomorphism, taxidermy, book illustration, children’s literature, postcard, animal images, psychologism
References:
Ashkhamaf A.R. Ehkologicheskoe soznanie: k probleme opredeleniya ponyatiya [Ecological Consciousness: On the Problem of Defining the Concept]. Vestnik Adygeiskogo gosudarstvennogo universiteta. Seriya 1: Regionovedenie: filosofiya, istoriya, sotsiologiya, yurisprudentsiya, politologiya, kul’turologiya, 2010, no. 3, pp. 15–18. (In Russian)
Basargina E.Yu. Stanovlenie muzeinogo kompleksa Imperatorskoi Akademii nauk [Formation of the Museum Complex of the Imperial Academy of Sciences]. Voprosy muzeologii, 2012, no. 1 (5), pp. 78–87. (In Russian)
Berger J. Zachem smotret’ na zhivotnykh? [Why Look at Animals?]. Moscow, Ad Marginem Press Publ., 2017. 160 p. (In Russian)
Darwin Ch. Vyrazhenie dushevnykh volnenii [Expression of Emotional Feelings], transl. M. Filippov. St. Petersburg, Tipographiya A. Porokhovshchikova Publ., 1896. 224 p. (In Russian)
DeMause L. Psikhoistoriya [Psychohistory], transl. from English A. Shkuratov. Rostov-na-Donu, Feniks Publ., 2000. 512 p. (In Russian)
Efimova K.S. Apokalipticheskie nastroeniya v animalisticheskoi karikature Zh. Granvilya [Apocalyptic Moods in J. Grandville’s Animalistic Caricature]. Hudozhestvennaya kul’tura [Art & Culture Studies], 2023, no. 1, pp. 200–219. https://doi.org/10.51678/2226-0072-2023-1-200-219. (In Russian)
Leskinen M.V. “Chelovecheskie zooparki” v Rossii: k postanovke problemy [“Human Zoos” in Russia: To the Problem Statement]. Novoe proshloe, 2018, no 4, pp. 148–163. https://doi.org/10.23683/2500-3224-2018-4-148-163. (In Russian)
Martynova D.O. Feminizatsiya psikhicheskikh rasstroistv: “Klinicheskii urok v Sal’petrier” [Feminization of Mental Disorders: “Clinical Lesson in Salpetriere”]. Hudozhestvennaya kul’tura [Art & Culture Studies], 2021, no. 1, pp. 104–123. https://doi.org/10.51678/2226-0072-2021-1-104-123. (In Russian)
Makhov A.M. Antropomorfnye koshki Luisa Uil’yama Ueina [Anthropomorphic Cats by Louis William Wayne]. Filokartiya, 2015, no. 2 (42), pp. 47–49. (In Russian)
Makhov A.M. Teodor Strofer i T.S.N. [Theodor Strophe and T.S.N.]. Filokartiya, 2015, no. 1 (41), pp. 25–28. (In Russian)
N.N.A. Hagenbek, Karl [Hagenbeck, Carl]. Ehntsiklopedicheskii slovar’ [Encyclopedic Dictionary]. Vol. 36a: Frankonskaya dinastiya — Khaki [The Franconian Dynasty — Khaki]. St. Petersburg, F.A. Brokgauz, I.A. Efron Publ., 1902, p. 949. (In Russian)
Salnikova E.V. Puteshestvie cherez nevozmozhnoe: avantyurnost’ i fantastika Velikogo Nemogo [Journey through the Impossible: Adventurousness and Fantasy of the Great Silent]. Moscow, Kanon+ ROOI «Reabilitatsiya» Publ., 2023. 424 p. (In Russian)
Slepkova N.V. Zoologicheskii muzei Imperatorskoi Akademii nauk v Sankt-Peterburge v XIX veke. Printsipy ehksponirovaniya [Zoological Museum of the Imperial Academy of Sciences in St. Petersburg in the 19th Century. Principles of Exposure]. Istoriko-biologicheskie issledovaniya, 2016, vol. 8, no. 1, pp. 29–65. (In Russian)
Brower M. “Take Only Photographs”: Animal Photography’s Construction of Nature Love: 2005. Rochester.edu. Available at: https://www.rochester.edu/in_visible_culture/Issue_9/brower.html#_edn32 (accessed 19.09.2024).
Creaney C. Paralytic Animation: The Anthropomorphic Taxidermy of Walter Potter. Victorian Studies, 2010, vol. 53, no. 1, pp. 7–35.
Grover E.O. Kittens and Cats: A Book of Tales. Boston, Houghton Mifflin, 1911. 84 p.
Henning M. Anthropomorphic Taxidermy and the Death of Nature: The Curious Art of Hermann Ploucquet, Walter Potter, and Charles Waterton. Victorian Literature and Culture, 2007, vol. 35, issue 2, pp. 663–678. https://doi.org/10.1017/S1060150307051704.
Meese J. “It Belongs to the Internet”: Animal Images, Attribution Norms and the Politics of Amateur Media Production. M/C Journal, 2014, no. 17 (2). https://doi.org/10.5204/mcj.782. Available at: https://journal.media-culture.org.au/index.php/mcjournal/article/view/782 (accessed 19.09.2024).
Nyhart K.L. Modern Nature: The Rise of the Biological Perspective in Germany. Chicago, London, The University of Chicago Press, 2009. 440 p.
Official Catalogue of the Great Exhibition of the Works of Industry of All Nations. London, Spicer Brothers, 1851. 320 p.
Ploucquet H. The Comical Creatures from Wurtemberg: Including the Story of Reynard the Fox. London, D. Bogue, 1851. 96 p.
Speaking of Pictures… These Are Harry Frees’s Lifework. Life, 1937, vol. 2, no. 9, pp. 4–7.
Youdelman R. The Shock Proved Fatal: Whimsy and Anthropomorphism in Taxidermy of the Victorian Era, 1851–1899: A Thesis in the Field of Visual Arts for the Degree of Master of Liberal Arts in Extension Studies. Harvard University, 2012. 241 p. Available at: https://www.academia.edu/78209439/The_Shock_Proved_Fatal_Whimsy_and_Anthropomorphism_in_Taxidermy_of_the_Victorian_Era_1851_1899 (accessed 20.09.2024).
Received 28.10.2024
Accepted 08.12.2024