2024 № 4 (51)

UDC 39; 781.7

LBC 85.313(2)

DOI: 10.51678/2226-0072-2024-4-602-621

For cit.: Pashina O.A. On the Genetic and Typological Relationship of the Russian Folk Singing Tradition and Church Singing Art. Hudozhestvennaya kul’tura [Art & Culture Studies], 2024, no. 4, pp. 602–621. https://doi.org/10.51678/2226–0072–2024–4–602–621. (In Russian)

Pashina Olga A.

D. Sc. (in Art History), Academic Secretary of the State Institute for Art Studies, 5 Kozitsky Lane, Moscow, 125375, Russia

https://orcid.org/0000-0003-4189-5835

ResearcherID: GWC-5904-2022

opash@sias.ru

On the Genetic and Typological Relationship of the Russian Folk Singing Tradition and Church Singing Art

Abstract. The article examines the similarities and differences between the Russian folk singing tradition and church singing art. The author discusses the common principles of melodic organization of tunes based on typical melodic turns, the possibility of performing different verbal texts on the same tune (model melodies (automela) in the church tradition and polytext chants in the folk tradition), and the similarity of the principles of melismatic chanting of poetic texts in church hymns and folk long lyrical songs.

Keywords: Russian folk singing culture, church singing art, genetic relationship, typological relationship, melodic organization of tunes, performing techniques, singing terminology

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Received 04.09.2024

Accepted 17.10.2024