2022 № 2 (41)

Art Theory
Savenko Svetlana I.
The Vitality of Music: From the Origins to the Realities of Non-Classics (In Russian)
Savenko Svetlana I.
The Vitality of Music: From the Origins to the Realities of Non-Classics (In English)
Khrenov Nikolai A.
Between Aesthetics and Culture Studies: To the Methodological Problems of the Modern Science of Art
Individual Art Worlds
Petrushanskaya Elena M.
Clusters of Mythological Traces in Contemporary Women’s Art
Art of the Soviet Era
Sputnitskaya Nina Yu., Kazyuchits Maksim F.
Contemporary Approaches to the Study of Soviet and Post-Soviet Screen Culture. Based on the Material of the 53rd ASEEES Congress, USA
Yesyunin Yegor A.
Lubok in the Soviet Political Poster of the Civil War
Sharapov Ivan A.
Plastic Techniques and Shape Forming: Synthesis in the Soviet Monumental Art of the 1960s–1980s
Fine Arts
Romanova Elena O.
Italian Landscape in the Art of Konstantin Gorbatov
Koltsova Varvara A.
The “Ruby of Burgundy” or the “Sapphire of France”: The Stone in the Lost Portrait of Duke Philip the Bold
Musical Culture
Sokovikov Sergey S., Spirev Dmitry A.
Jazz in the Space of Visual Culture: Variations of Intermedial Projections
Cinema and Mass Media
Zhurkova Daria A., Evallyo Violetta D.
Round Table “Aesthetics of Soviet Film Comedy”. Eccentric, Author's Principle, Official Context
Zakharov Dmitry V.
The Italian Cinema Version of Gogol’s The Overcoat
Batarina Anastasiya E.
The Reception of Chess in the Soviet Films of the 1970s–1980s
About the Authors
About the Authors. Abstracts