2021 № 2 (37)

Art Theory
Dutsev Mikhail V.
Architectural Environment. Vital Dimension
Kondratiev Evgeny А.
Punctum and Reinterpretation in Photography
Sharapov Ivan A.
Discourse of Ornament in Twentieth-Century Architecture
Fine Arts
Getashvili Nina V.
Private Collections as the Core of Picasso Art Museums: The Problem of Selection and Exposition, Intentions and Reality
Kulakova Olga Yu.
Seashells in Dutch Still-life Painting of the 17th Century
Odinokova Polina S.
To the Problem of Attribution of the Album Ten landscapes and Travelling Along the River [Painted by] Shitao
Abdullina Darina А.
Retrospectivism in Soviet Children’s Portraits of the Second Half 1960s — Early 1980s
Musical Culture
Levashev Yevgeny M. , Teterina Nadezhda I.
M.P. Mussorgsky. St. John’s Eve on Bald Mountain: Texts and Contexts. Article One
Saamishvili Natalia N.
True Fire by Kaija Saariaho: Poetics of Composition
Platonova Olesia A.
Electroacoustic Experiments of the Art Zoyd and Their Implementation in Soundtracks for Silent Films
Cinema and Mass Media
Bakina Tatiana V.
The Birth of a Hollywood Spectacle: Visual Expression and Narrative Functions of Costumes in Cecil B. DeMille’s Silent Films
Salnikova Ekaterina V.
Algol. Tragedy of Power (1920) as Futuristic Peplum and the “Rehearsal” of Mertopolis
Martynova Daria O.
“Hysterical” Bodies in Contemporary Art of Estonia
Evallyo Violetta D.
The Demonization of a Rock Musician’s Image in Western Cinema
Art in Arts. Reflections
Voytova Inna A.
“More than in a Costume”: “Barefoot” Dancers and Russian Ballet Costume at the Beginning of the 20th Century
Aynutdinov Anton S.
Sverdlovsk Art and Cultural Patronage of the Red Army: Prehistory of Relations and the Process in the Post-War Period (1946-1952)
Aliyev Elshad Vugar
Art Process In Dıgıtal Paıntıng
About the Authors
About the Authors. Abstracts