2026 № 2 (57)

Art & Culture Theory
Khaichenko Elena G.
Musical Forms, Images, and Leitmotifs in Drama
Gubanova Galina I.
The Mood for Love in the Networks of the Director’s Analysis Algorithm
Individual Art Worlds
Yakimovich Alexander K.
Tahir Salakhov. From Heroic Stoicism Towards New Horizons
Akimov Sergey S.
The Netherlandish and Dutch Painting of the 16th and 17th Centuries in Scientific Works of Elena Fekhner
Art of the Soviet Era
Gulyamova Intizor T.
Cultural Bridge on Tape: From Conception to Implementation of Foreign Film Projects in the USSR in 1930s
Yurgeneva Alexandra L.
The Flying Proletarian: From Fantastic Flights to a Comfortable Life
Sarieva Elena A.
The Moscow Music Hall Production Moscow — Venus, then — Everywhere... (1961): Concept and Implementation (In Russian)
Sarieva Elena A.
The Moscow Music Hall Production Moscow — Venus, then — Everywhere... (1961): Concept and Implementation (In English)
Fine Arts
Davydova Olga S.
Requiem. Mikhail Vrubel’s Last Watercolor. On the 170th Anniversary of the Artist’s Birth
Ulyanova Olga A.
Plastics in Soviet Architecture of the Thaw Era: Between Artistic Expression and Industrialization of Construction
Dedkov Oleg M.
The Architecture of Soviet Modernism in the Sociocultural Context of Contemporary Moscow: Receptionist Declarations and Practical Actions
Chap Aylana A.
Traditions of Mentoring in the Tuvan Stone-Cutting Art
Orlova Ksenia V.
The Empordà School of Painting
Musical Culture
Lashchenko Svetlana K., Lebedeva-Emelina Antonina V.
Alexei Lvov and Metropolitan Filaret: The Story of a Confrontation
Zyatyugina Maria V.
Peritext as Simultaneous Gesture: Erik Satie’s Piano Works of 1912–1915
Cinema and Mass Media
Saraskina Liudmila I.
Unrealized Projects. Unproduced Screen Versions. S. Eisenstein, E. Ryazanov, L. Gaidai, A. Tarkovsky, E. Klimov
Otradnaya Evgeniya S.
Duplicity as the Story of a Character’s Split Personality: From F. Dostoyevsky’s The Double to B. Anderson’s The Machinist
Palshkova Maria A.
The Partner, The Double, and The Two Enemies: The Features of the Reception of F. Dostoevsky’s Novel The Double on Foreign Screens
Reviews
Puzko Anastasia S., Dukov Evgeny V.
The Final Chord: Artistic Life of Central Europe in the 1930s
Pesochinsky Nikolai V.
The Tenth Issue of Mnemosyne. Theatrical Policy in Three Discussions