2024 № 1 (48)

Jazz in Soviet Cinema. The Experience of Retrospective Analysis

UDC 78; 791

LBC 85.318; 85.373(2)

DOI: 10.51678/2226-0072-2024-1-382-427


For cit.: Rikker N.G. Jazz in Soviet Cinema. The Experience of Retrospective Analysis. Hudozhestvennaya kul’tura [Art & Culture Studies], 2024, no. 1, pp. 382–427. https://doi.org/10.51678/2226-0072-2024-1-382-427.


Rikker Natalia G. 

Musicologist, Chelyabinsk State Philharmonic, Director of “Uralskiy Dixieland” Jazz Ensemble, Lecturer, Jazz and Pop Music Department, P.I. Tchaikovsky South Ural Institute of Arts, 88 Truda Str., Chelyabinsk, 454048, Russia 

https://orcid.org/0009-0000-6625-5944

ResearcherID: JAX-6651-2023

rikkernatasha@mail.ru

Jazz in Soviet Cinema. The Experience of Retrospective Analysis 

Abstract. The article is devoted to representation of domestic jazz in the Soviet feature silent and sound cinema in the period fr om 1926 to 1990. The author notes that jazz was becoming part of the plot of documentaries and feature films since its emergence in the USSR, but the accents in its image changed, and the genre nature of the movies evolved. There was a traceable shift from musical comedy to satirical pamphlet, from lyrical comedy to melodrama. 

Based on several dozens of examples of films wh ere jazz sounds, the article shows the relationship between the ideological course of the Soviet state, the perception of the jazz performance specifics at different historical milestones, and the nature of its reflection on the screen. Thus, in the 1930s, jazz was synonymous with popular music and had a clear shade of humour and entertainment; in the late 1940s, it symbolized the ideological opponents of the country; and after the Khrushchev Thaw, it was considered an art, a kind of intellectual activity. 

In addition to the periodization of jazz cinema, the article provides a typology of films about jazz. The author presents a classification based on a set of qualities, such as maximum or minimum correlation of the plot of the film with jazz, participation of jazz musicians in it, and presence of a jazz soundtrack. 

Keywords: soviet jazz, feature films, musical films, jazz history, cinema music

References:

Aizikovich T. Leonid Utesov i dzhaz: razmyshleniiya s somneniyami [Leonid Utyosov and Jazz: Thoughts and Doubts]. Jazz.Ru, 2011, April 13. Available at: https://www.jazz.ru/2011/04/13/utiosov-thoughts-and-doubts/ (accessed 01.05.2023). (In Russian)

Asanova D. K zamyslu fil’ma “Dzhaz”. Dnevnikovye zapisi Dinary Asanovoi [To the Idea of the Film Jazz. Diary Entries by Dinara Asanova]. Dinara Asanova: U menya net vremeni govorit’ nepravdu: Dnevnikovye zapisi, rezhisserskie zametki, stat’i, interv’yu Dinary Asanovoi [Dinara Asanova: I Don’t Have Time to Tell Lies: Diary Entries, Director’s Notes, Articles, Interview by Dinara Asanova and Memories about Her]. Leningrad, Iskusstvo Publ., 1989. Available at: https://chapaev.media/articles/2544 (accessed 25.03.2023). (In Russian)

Balin A.P. Dukhovoi orkestr i formirovanie traditsii dzhazovogo orkestrovogo ispolnitel’stva v Rossii (1929–1940-e gody) [Wind Orchestra and Formation of the Tradition of Jazz Orchestral Performance in Russia (1929–1940s). Vestnik Moskovskogo gosudarstvennogo universiteta kul’tury i iskusstv, 2008, no. 5, pp. 211–214. (In Russian)

Batashev A.N. Sovietskii dzhaz [Soviet Jazz]. Moscow, Muzyka Publ., 1972. 176 p. (In Russian)

Burdel’naya A.V. Muzyka v sovetskom kinematografe pervoi poloviny XX stoletiya [Music in Soviet Cinema of the First Half of the 20th Century]. Chelovek. Kul’tura. Obrazovanie, 2013, no. 2 (8), pp. 79–89. (In Russian)

Zhurkova D.A. Rol’ pesni v fil’makh Leonida Gaidaya [The Role of Song in Leonid Gaidai’s Films]. Hudozhestvennaya kul’tura [Art & Culture Studies], 2023, no. 1, pp. 104–133. https://doi.org/10.51678/2226-0072-2023-1-104-133. (In Russian)

Kovalenko A.N. Dzhaz i otechestvennaya muzykal’naya kul’tura 1920-kh godov [Jazz and Native Music Culture of the 1920s]. Sovremennye problemy nauki i obrazovaniya, 2013, no. 6. Available at: https://science-education.ru/ru/article/view?id=11616 (accessed 24.02.2023). (In Russian)

Kornev P.K. Sotrudnichestvo artistov i kompozitorov SSSR i SSHA v 1930–1950-kh godakh [Collaboration of Artists and Composers of the USSR and the USA in the 1930s–1950s]. Vestnik SPbGUKI, 2016, no. 3 (28), pp. 42–46. (In Russian)

Molchanova M. “Mne 20 let” Marlena Khutsieva [I Am Twenty by Marlen Khutsiev]. Diletant, 2016, August 06. Available at: https://diletant.media/articles/30298005/ (accessed 01.03.2023). (In Russian)

Moshkov K. Fil’mografiya sovetskogo dzhaza. “Veselye rebyata” (1934) [Filmography of Soviet Jazz. Jolly Fellows (1934)]. The Jazz.ru Channel on the Yandex Dzen, 2018, September 26. Available at: https://dzen.ru/a/W6u7heNZGwCq0fEm (accessed 26.02.2023). (In Russian)

Moshkov K. Fil’mografiya sovetskogo dzhaza. “Zimnii vecher v Gagrakh” (1985) [Filmography of Soviet Jazz. Winter Evening in Gagra (1985)]. The Jazz.ru Channel on the Yandex Dzen, 2018, November 13. Available at: https://dzen.ru/a/W-nKf5LASgCzpjCw (accessed 26.02.2023). (In Russian)

Moshkov K. Fil’mografiya sovetskogo dzhaza. “Karnaval’naya noch’” (1956) [Filmography of Soviet Jazz. Carnival Night (1956)]. The Jazz.ru Channel on the Yandex Dzen, 2018, October 03. Available at: https://dzen.ru/a/W7SYnwnrAQCq9jKt (accessed 26.02.2023). (In Russian)

Moshkov K. Fil’mografiya sovetskogo dzhaza. “Muzykal’naya istoriya” (1940) [Filmography of Soviet Jazz. Musical Story (1940)]. The Jazz.ru Channel on the Yandex Dzen, 2018, September 28. Available at: https://dzen.ru/a/W64hK5X9PgCrVkV7 (accessed 26.02.2023). (In Russian)

Moshkov K. Fil’mografiya sovetskogo dzhaza. “My iz dzhaza” (1983) [Filmography of Soviet Jazz. We Are From Jazz (1983)]. The Jazz.ru Channel on the Yandex Dzen, 2018, October 20. Available at: https://dzen.ru/a/W8reCF7lOQCqTCOM (accessed 26.02.2023). (In Russian)

Moshkov K. Fil’mografiya sovetskogo dzhaza. “Ne bolit golova u dyatla” (1974) [Filmography of Soviet Jazz. The Woodpecker Doesn’t Get Headaches (1974)]. The Jazz.ru Channel on the Yandex Dzen, 2018, October 09. Available at: https://dzen.ru/a/W7yC4wkbogCqOnVX (accessed 26.02.2023). (In Russian)

Moshkov K. Fil’mografiya sovetskogo dzhaza. “Shlyapa” (1981) [Filmography of Soviet jazz. The Hat (1981)]. The Jazz.ru Channel on the Yandex Dzen, 2018, October 16. Available at: https://dzen.ru/a/W8XEtsbzwQCtR6qt (accessed 26.02.2023). (In Russian)

Rikker N.G. Dzhaz v Chelyabinske. Istoriya s prodolzheniem… [Jazz in Chelyabinsk. A Story with a Sequel...]. Chelyabinsk, Chelyabinskaya gosudarstvennaya konservatoriya Publ., Belgorod, Konstanta Publ., 2019. 568 p. (In Russian)

Seleznev M. Nezhnost’ i izmenchivost’ pod obshchim znamenatelem: “Ne bolit golova u dyatla” Dinary Asanovoi [Tenderness and Variability under a Common Denominator: The Woodpecker Doesn’t Get Headaches by Dinara Asanova]. Iskusstvo kino, 2022, September 09. Available at: https://kinoart.ru/texts/nezhnost-i-izmenchivost-pod-obschim-znamenatelem-ne-bolit-golova-u-dyatla-d... (accessed 01.03.2023). (In Russian)

Feiertag V.B. Istoriya dzhazovogo ispolnitel’stva v Rossii: Uchebnoe posobie [The History of Jazz Performance in Russia: Study Guide]. St. Petersburg, Skifiya Publ., 2010. 295 p. (In Russian)


Received 04.06.2023

Accepted 29.08.2023 



Скачать в pdf