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Art & Culture Studies


Electronic Peer-Reviewed Journal
ISSN: 2226-0072

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Theory of Art Questions

Krivtsun Oleg Aleksandrovich
Art as a Phenomenon of Culture
Kondakov Igor Vadimovich
Cultural semantics of the “off-screen” space
Kondratiev Evgeny Andreevich
Photography in the «Lens» of Philosophy
Krivtsun Oleg Aleksandrovich
The Artist Sees the World and What the World Lacks in Order to Become a Picture
Bespalov Oleg Valentinovish
The Archetypes of the Plasticity Concept

Art Theory Aspects

Sergei Stupin
Open Form in Art: Representation of Existential

Aesthetics of Cinema

Krutchkova Valentina Aleksandrovna
Visual Form In the Films Of the French New Wave Plasticity of the frame—plasticity of the plot
Kononenko Nataliya Gennadyevna
Musical Aspects of Metatextuality in the Work by A. Sokurov
Burov Andrey Mikhailovich
Images of Nature and Zoology in the European Cinema of XXI Century
Salnikova Ekaterina Viktorovna
The Plasticity Concept in the Cinema

At Historical Crossroads

Petrushanskaya Elena Mikhailovna
Forward to Past: Does Musical Futurism Have a Future?
Girin Yuri Nikolaevich
Formation of Spanish Culture of the Early XXth Century

Fine Arts Aesthetics of the XX-XXI Centuries

Tatyana Malova
The Nature of Plasticity Feeling: The Experience of Art History and Aesthetics
Alina Dukhno
Fractal as the Language of Art. Interaction of Scientific and Artistic Experience

Culture of the Soviet Era

Stigneev Valery Timofeevich
Formation of the Photo Reportage Genre in Soviet Photography of the 1920s
Inshakov Alexandr Nikolaevich
The Russian Avant-Garde in “A—YA” Magazine

Individual Creative Worlds

Lebedeva Ilona Vladimirovna
In the Search for Equilibrium: Piet Mondrian, Bas Jan Ader and Erica van Zon. To the Centennial Anniversary of Neo-Plasticism

Soviet Epoch Culture

Alexandr Inshakov
The Russian Avant-Garde in A – YA Magazine (the second part of the article)

Popular Culture: The History of National Estrade

Druzshkin Yuri Samuilovich
Was Claudia Shulzhenko a Philosopher? Anthropological Aspects of Soviet Variety Songs
Sarieva Elena Anatolyevna
Life and Songs of Iza Kremer
Savitskaya Elena Aleksnadrovna
Russian Rock Festivals of the 2000–2010’s

The Life of Russian Classics in The Twentieth and Twenty-first Centuries

Saraskina Ludmila Ivanovna
Ball Time Collisions Depicted in Russian Novels as Reflected in Cinema Versions

The History of Post-Soviet Culture: To the 100th Anniversary of A. Solzhenitsyn

Anry Vartanov
The Unfinished Solzhenitsyn's Documentary Series on the Russian ORT TV Channel
Elena Petrushanskaya
Opera One Day of Ivan Denisovich and the Topic of Radio

Artistic Processes of The Soviet Era

Voskresenskaya Victoria Vladimirovna
Art as the Method of the Universe Creation: Socialist Realism (1930th years)
Zhurkova Daria Aleksandrovna
Homeland 2.0: the Motif of Fictional Worlds in Post-Soviet Popular Music

Visual Media History: Aesthetics, Contemporary Trends

Alexandra Yurgeneva
Ethnographic Photography of the XIX Century and Its Modern Transformations
Vladimir Shabalin
Image of Line in the Space of a Television Shot
Maria Kamankina
Independent Video Game: Creativity of Tale of Tales Studio
Violetta Evalliyo
A Split Screen: To the Problem of the Concept Designation
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Visual Media: History and Modernity

Iurgeneva Alexandra L'vovna
Medical Photography of the XIXth Century: the Images of Norm and Pathology
Salnikova Ekaterina Viktorovna
From the Twin Peaks Title Sequence to the Game of Thrones Title Sequence. The Evolution of Mechanism

Aesthetics and Art Theory

Dubova Olga B.
Artists and Connoisseurs. Approaches to Research
Dutsev Mikhail V.
Plastic Integrity in Modern Architecture
Getashvili Nina V.
Symbolist Sources of the Avant-garde

Issues of Modern Culture

Salnikova Ekaterina Viktorovna
Transmedia Storytelling Epoch

On the History of Russian Culture and Art

Saraskina Ludmila Ivanovna
The Pushkin Myth in Russian Culture: Legends, Anecdotes, Сlichés
Kondakov Igor Vadimovich
The Phenomenon of Variety in the Culture of “Thaw” Epoch
Savitskaya Elena Aleksnadrovna
Concept Albums in the Russian Rock of 1970–1990s

Music and Screen Arts of the Late XX - Early XXI Centuries

Petrushanskaya Elena Mikhailovna
Hypotheses of Seriality in Musical Structures
Zhurkova Daria Aleksandrovna
Musical Dramaturgy of Alexei Balabanov’s Morphine Movie
Violetta Evalliyo
An Architectonics of Split Screen in the Interpretation of The Divine Comedy by Peter Greenaway

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About the Authors. Abstracts
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Art & Culture Studies: Events, Interpretations, Discussions

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